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It’s also possible to save these workspaces, so I could create a workspace that uses my primary monitor for thumbnails and my secondary monitor for image editing, with tools floating over that secondary monitor. It’s possible to have every single available tool as a floating element on the screen, if that were for some reason desirable. I’ve also added the selection tools to this toolset, so if I need to find and export all my two-star images, I can do it in the Processing toolset.Īny of these toolsets can be made to float, as can any of the tools. My next toolset is for local adjustments (now called “layers,” more on that below), followed by a toolset for processing images. Thanks to the program’s ability to assign custom keystrokes to just about any function, I’ve arranged this toolset as the first tab in my group of toolsets, and I can access that by pressing Command+1. When I’m doing a basic set of edits for client review, I can use a single toolset for all the things I’d normally do: select, rate and keyword my images, make basic adjustments and export for the web with my single Favorites tab. But the tools contained in these toolsets-and indeed the toolsets themselves-can be added, removed or reordered. By default, these are found on the left side of the screen, and there are tools for common tasks like adjustments, metadata and rating and export (called “processing”) found in those toolsets, as you’d expect to see in any photo editor. #Capture one vs lightroom proAlmost every aspect of Capture One Pro can be customized, from the layout of windows and tools to the keyboard shortcuts, and all can be saved for on-the-fly switching.įor example, Capture One Pro uses “toolsets” that are collections of similar tools for different phases of the workflow. Once you scratch the surface, though, it becomes clear that Capture One Pro is capable of a level of customizable modifications that can tailor the interface to the user and even to the task at hand. The Capture One Pro interface sports lots of small type and equally small adjustment tools, but part of this is by design-the smaller the tools, the more that a photographer can access without scrolling. Customizable To The CoreĪt first glance, Capture One Pro can be a confusing-looking working environment, especially compared to the modal Lightroom interface, which has clearly-defined modules for discrete photographic tasks. Capture One Pro can apply one set of corrections for flare and chromatic aberration to a Nikon wide-angle lens, and a completely different set of custom corrections to a Canon wide-angle lens. Phase One spends a lot of time analyzing the light transmission on commercially available lenses and camera bodies and creates fixes for these issues that can be toggled on and off. It’s also a RAW engine that’s very flexible, both in terms of processing images and in correcting visual problems caused by the characteristics of lenses and camera sensors. Each company that produces a RAW editor likes their engine the best, but to many photographers, Capture One Pro is the gold standard. The strength of the program’s tools wouldn’t be helpful if images processed with Capture One Pro didn’t look good, and fortunately the app has arguably the best RAW processing available. With the new version upon us, it’s a good time to look at the Capture One Pro toolset as well as the program’s strengths and weaknesses. The newest version, Capture One Pro 11, has the major focus of providing significant speed boosts but also refines editing and collaborating tools to provide a more familiar work environment for Photoshop editors, as well as increase the communication between photographers, editors and art directors. #Capture one vs lightroom professionalThe demise of Apple’s Aperture drove a large number of customers to Capture One Pro, thanks to an Aperture-user-friendly, non-modal interface that provided an easier transition for some than Lightroom’s system of moving images though different modules.Īdobe’s recent decision to fork the Lightroom product line into a desktop-based workflow (Lightroom Classic CC) and a separate cloud-based tool (Lightroom CC) has created an opportunity for Phase One to tout the benefits of its more traditional desktop tool and to reaffirm its commitment to the professional photographer. #Capture one vs lightroom updateWhile Adobe’s Lightroom Classic CC has the lion’s share of the market, Phase One has been steadily gaining converts with each update to the app, thanks to a steady stream of feature enhancements, performance upgrades and a RAW conversion engine many feel is the best available today. An original RAW image, right out of the camera, is going to require some tweaking to bring out the vibrant colors that were present when shooting this sunrise in Oregon. ![]()
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